Semantics never did find defining theatrical art an easy ordeal. While theatre enraptures its viewers to ponder over the rigid core of one’s beliefs, it is the unique portrayal of recent social shenanigans where we find its inherent productive beauty… Enact is such collective where like-minded audacious performers take verbal arms to fight in the perpetual war of social oppression and injustice. On August 6th, 2015, they flung open their doors to aspiring theatrical performers who were willing to join their creed. Their induction ceremony commenced with the collective representative, Anirudh Mackar inviting all members to the house. He went on to explain what Enact was, did and what they were willing to do in scenes to come. Prof. Subhasis Dasgupta who is the collective-teacher coordinator took to the stage and as he eased into character, he was able to reform the established formal atmosphere into an interactive hub; as all appreciative performers do, prelude to his bow, he acknowledged and thanked all the stage-crew members, formally labelled as volunteers. Anirudh enters the stage a second time to discuss an agenda. Giving a detailed explanation of a social initiative taken by Yes Bank, primarily a contest where an individual is required to make a short social film, he encouraged all members of the house to participate. A video containing clips from Enact’s past performances was shown to make aware the general idea of what the inductees could look forward to, and with this the induction ceremony was concluded.
The guest faculty for the workshop was the renowned filmmaker- Debasish Sen Sharma. No sooner had he taken to the stage, he commanded… silence… hark (squeal, vibrations and noises thereabout). After what seemed like an epoch of self-realisation, he gently asked the participants to narrate or give meaning to the unique beat-less music- sound(s) that they heard. This was followed by an exercise of body motion where participants were asked to move freely until he gave a signal. All participants were to figuratively freeze when the aforementioned signal was given, he explained the purpose of this exercise in due time. Similar other exercises were done. Vocal training or rather the basics of elocution was the final lesson which drew the curtain to the eventful afternoon.
Celebration of International Mother Language Day, 2022 Expressing our emotions and desires in our native tongue ever since we have mastered the skill of communicating has become an inextricable aspect of our identity. The pronounced pride with which we speak of our Mother Tongue today makes us bow our head in reverence to those valiant …
Category of the Activity (Extension/Outreach/Environmental): Outreach Organizing unit: NSS Date/ duration of the activity: 19.08.2024 Time: 10 am- 1pm No. of Participants: 4 Objective of the event: To Spread joy and festivity among underprivileged children and provide a sense of belonging and inclusivity to the often-overlooked kids. Brief description of the event: The NSS Unit …
Category of the Activity (EXTENSION/OUTREACH/ENVIRONMENTAL): Outreach Organising unit: NSS Date/ duration of the activity: 20th May 2025, 24th May 2025, 4th June 2025, and 10th June 2025 Time: 10am-3pm No. of Participants: 24 No. of Beneficiaries: N.A. Objective of the event: To provide immediate hydration support to pedestrians during extreme summer heat. Brief description of …
The Department of Political Science in collaboration with West Bengal Political Science Association (WBPSA), organized the 22nd Annual Conference of the Association and an International Seminar on “75 Years of Indian Republic” on 21st and 22nd June 2024. The event was graced by the august presence of renowned scholars and academicians like Prof. Arun Kumar …
Enact Induction and Workshop: Methods of Acting
Semantics never did find defining theatrical art an easy ordeal. While theatre enraptures its viewers to ponder over the rigid core of one’s beliefs, it is the unique portrayal of recent social shenanigans where we find its inherent productive beauty… Enact is such collective where like-minded audacious performers take verbal arms to fight in the perpetual war of social oppression and injustice. On August 6th, 2015, they flung open their doors to aspiring theatrical performers who were willing to join their creed. Their induction ceremony commenced with the collective representative, Anirudh Mackar inviting all members to the house. He went on to explain what Enact was, did and what they were willing to do in scenes to come. Prof. Subhasis Dasgupta who is the collective-teacher coordinator took to the stage and as he eased into character, he was able to reform the established formal atmosphere into an interactive hub; as all appreciative performers do, prelude to his bow, he acknowledged and thanked all the stage-crew members, formally labelled as volunteers. Anirudh enters the stage a second time to discuss an agenda. Giving a detailed explanation of a social initiative taken by Yes Bank, primarily a contest where an individual is required to make a short social film, he encouraged all members of the house to participate. A video containing clips from Enact’s past performances was shown to make aware the general idea of what the inductees could look forward to, and with this the induction ceremony was concluded.
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The guest faculty for the workshop was the renowned filmmaker- Debasish Sen Sharma. No sooner had he taken to the stage, he commanded… silence… hark (squeal, vibrations and noises thereabout). After what seemed like an epoch of self-realisation, he gently asked the participants to narrate or give meaning to the unique beat-less music- sound(s) that they heard. This was followed by an exercise of body motion where participants were asked to move freely until he gave a signal. All participants were to figuratively freeze when the aforementioned signal was given, he explained the purpose of this exercise in due time. Similar other exercises were done. Vocal training or rather the basics of elocution was the final lesson which drew the curtain to the eventful afternoon.
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