Semantics never did find defining theatrical art an easy ordeal. While theatre enraptures its viewers to ponder over the rigid core of one’s beliefs, it is the unique portrayal of recent social shenanigans where we find its inherent productive beauty… Enact is such collective where like-minded audacious performers take verbal arms to fight in the perpetual war of social oppression and injustice. On August 6th, 2015, they flung open their doors to aspiring theatrical performers who were willing to join their creed. Their induction ceremony commenced with the collective representative, Anirudh Mackar inviting all members to the house. He went on to explain what Enact was, did and what they were willing to do in scenes to come. Prof. Subhasis Dasgupta who is the collective-teacher coordinator took to the stage and as he eased into character, he was able to reform the established formal atmosphere into an interactive hub; as all appreciative performers do, prelude to his bow, he acknowledged and thanked all the stage-crew members, formally labelled as volunteers. Anirudh enters the stage a second time to discuss an agenda. Giving a detailed explanation of a social initiative taken by Yes Bank, primarily a contest where an individual is required to make a short social film, he encouraged all members of the house to participate. A video containing clips from Enact’s past performances was shown to make aware the general idea of what the inductees could look forward to, and with this the induction ceremony was concluded.
The guest faculty for the workshop was the renowned filmmaker- Debasish Sen Sharma. No sooner had he taken to the stage, he commanded… silence… hark (squeal, vibrations and noises thereabout). After what seemed like an epoch of self-realisation, he gently asked the participants to narrate or give meaning to the unique beat-less music- sound(s) that they heard. This was followed by an exercise of body motion where participants were asked to move freely until he gave a signal. All participants were to figuratively freeze when the aforementioned signal was given, he explained the purpose of this exercise in due time. Similar other exercises were done. Vocal training or rather the basics of elocution was the final lesson which drew the curtain to the eventful afternoon.
Organised by Dept of Bengali with N.S.S. unit of The Bhawanipur Education Society College Date: 20th April, 2024 (Saturday) Venue: Save the Children Home, Thakurpukur The Department of Bengali in collaboration with the NSS unit observed World Earth Day on 20.04.2024 with the kids of Save the Children Home, Thakurpukur. Considering the theme of 2024, …
On September 16th, 2023, The Bhawanipur Education Society College, ushered yet another gathering of literary enthusiasts and Wordsworths, featuring Mrs. Meena Chaturvedi, author of ‘Sneh Spandan’ & Mrs. Champa Srinivasan, author of ‘Jar of Marbles’, who also happens to be a faculty member of BESC under the Department of B. Com Hons (Morning Batch). The …
“Entrepreneurs are simply those who understand that there is little difference between obstacle and opportunity and are able to turn both to their advantage.” – Niccolo Machiavelli The Bhawanipur Education Society College in collaboration with IIT Kharagpur and NSHM Knowledge Campus organized Entrepreneurship Awareness Drive (EAD) on 11th October, 2023 from 2:00 pm. to 7:00 …
The Department of Geography, The Bhawanipur Education Society College organized a Extension lecture primarily for the students of Semester 4 on the topic ‘Cartography through ages’ on 25.04.2023, Tuesday at 2:45 pm in the Geography Laboratory (Room no. 532). The lecture was delivered by Dr. Niladri Das, Assistant Professor, Department of Geography, Hiralal Bhakat College, …
Enact Induction and Workshop: Methods of Acting
Semantics never did find defining theatrical art an easy ordeal. While theatre enraptures its viewers to ponder over the rigid core of one’s beliefs, it is the unique portrayal of recent social shenanigans where we find its inherent productive beauty… Enact is such collective where like-minded audacious performers take verbal arms to fight in the perpetual war of social oppression and injustice. On August 6th, 2015, they flung open their doors to aspiring theatrical performers who were willing to join their creed. Their induction ceremony commenced with the collective representative, Anirudh Mackar inviting all members to the house. He went on to explain what Enact was, did and what they were willing to do in scenes to come. Prof. Subhasis Dasgupta who is the collective-teacher coordinator took to the stage and as he eased into character, he was able to reform the established formal atmosphere into an interactive hub; as all appreciative performers do, prelude to his bow, he acknowledged and thanked all the stage-crew members, formally labelled as volunteers. Anirudh enters the stage a second time to discuss an agenda. Giving a detailed explanation of a social initiative taken by Yes Bank, primarily a contest where an individual is required to make a short social film, he encouraged all members of the house to participate. A video containing clips from Enact’s past performances was shown to make aware the general idea of what the inductees could look forward to, and with this the induction ceremony was concluded.
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The guest faculty for the workshop was the renowned filmmaker- Debasish Sen Sharma. No sooner had he taken to the stage, he commanded… silence… hark (squeal, vibrations and noises thereabout). After what seemed like an epoch of self-realisation, he gently asked the participants to narrate or give meaning to the unique beat-less music- sound(s) that they heard. This was followed by an exercise of body motion where participants were asked to move freely until he gave a signal. All participants were to figuratively freeze when the aforementioned signal was given, he explained the purpose of this exercise in due time. Similar other exercises were done. Vocal training or rather the basics of elocution was the final lesson which drew the curtain to the eventful afternoon.
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