The Department of Film Studies organized back-to-back film screenings to observe the birth centenary of two legendary figures in Cinema’s history – Indian filmmaker and star Raj Kapoor and American method actor Marlon Brando. It was an occasion to revisit their work, recall their significant contribution to the medium of cinema, and importantly introduce their films to a new generation of students interested in cinema.
The films which were selected for screening were Shree 420 (Raj Kapoor, 1955), and A Streetcar Named Desire (Elia Kazan, 1954). The screenings held in Room 234 on 20th and 21st of December respectively, were open for all and were attended by students from different departments, teachers, and members of non-teaching staff. A total number of 40 students and staff attended the screenings and discussions over the two days.
On both the days after the screening was over, there was a brief discussion which was presided over by Mr. Arup Ratan Samajdar of the Department of Film Studies. Many of the students stayed back for the discussion and enthusiastically participated in it. Several interesting points such as questions of class and gender representation in Hindi Cinema, significance of psychologized and non-psychologized acting within a narrative context, and the lasting impavt of these figures in the cultural and political terrain. A number of students provided positive feedback and stated that they’d look forward to more such events in the future.
Keep your Study Abroad Dreams Alive! On 13th June 2020, from 04:00 PM onwards, The Bhawanipur Education Society College, in collaboration with IDP Education, Kolkata was proud to present a webinar on managing students’ studying abroad dreams whilst the COVID -19 pandemic rampaged throughout the world. The esteemed speaker was Ms. Chandrani Mukherjee (Destination Manager, …
We have often heard Data Analysts working with different types of data, but have you ever wondered how these data types differ and why the difference is so important, what do these Data Scientists or Analysts actually do and why it is said that India needs an influx of talent in the Big Data Industry? …
A field trip was organized by the Departments of Sociology and Political Science for the students of semester 5 and 3, respectively, on December 03, 2022. A total number of 80 students accompanied by 14 teachers visited 3 museums of Kolkata—Swami Vivekananda’s ancestral home, Raja Rammohan Roy’s ancestral home and Rabindranath Tagore’s ancestral home. As …
The Department of Economics organized a one-day Workshop on MS Excel (Following the University of Calcutta CCF Syllabus). The adoption of New Education Policy 2020 by the state of West Bengal has led to the introduction of a new syllabus in all streams of undergraduate study in the University of Calcutta under the Curriculum and …
Centenary Screenings: Raj Kapoor and Marlon Brando
Venue: Room 234
Date(s): 20th and 21st of December 2024
The Department of Film Studies organized back-to-back film screenings to observe the birth centenary of two legendary figures in Cinema’s history – Indian filmmaker and star Raj Kapoor and American method actor Marlon Brando. It was an occasion to revisit their work, recall their significant contribution to the medium of cinema, and importantly introduce their films to a new generation of students interested in cinema.
The films which were selected for screening were Shree 420 (Raj Kapoor, 1955), and A Streetcar Named Desire (Elia Kazan, 1954). The screenings held in Room 234 on 20th and 21st of December respectively, were open for all and were attended by students from different departments, teachers, and members of non-teaching staff. A total number of 40 students and staff attended the screenings and discussions over the two days.
On both the days after the screening was over, there was a brief discussion which was presided over by Mr. Arup Ratan Samajdar of the Department of Film Studies. Many of the students stayed back for the discussion and enthusiastically participated in it. Several interesting points such as questions of class and gender representation in Hindi Cinema, significance of psychologized and non-psychologized acting within a narrative context, and the lasting impavt of these figures in the cultural and political terrain. A number of students provided positive feedback and stated that they’d look forward to more such events in the future.
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